Interiors · Objects · Visual Storytelling

A creative practice exploring space, object and image.

Studio Sanet is an interdisciplinary creative practice working across interiors, objects, visual identity, and creative direction creating thoughtful, layered and enduring experiences through space, material and narrative.

A refined interior vignette with a wooden sideboard, art, books, sculptural objects, and a black task lamp.
01

Sanet Fau Stegmann is a multidisciplinary designer whose practice moves across spaces, objects, surfaces, and visual narratives. Working between interior design, creative direction, textiles, illustration, objects, and visual identity, she approaches each project as an opportunity to create thoughtful and resonant experiences.

Guided by a sensitivity to materiality, culture, and context, her work explores how spaces and objects shape the way we feel, gather, and connect. With an eye for detail and a gatherer of artful ideas, she draws inspiration from the subtle beauty of everyday life, collecting textures, observations, references, and stories that inform her creative process.

Her practice explores the relationship between emotion, material, storytelling, and human connection, rooted in the idea that design extends beyond aesthetics and can meaningfully influence how we experience the world around us.

Alongside her studio practice, she continues to research themes of sustainability, social impact, and material exploration, while sharing this knowledge through part-time lecturing in Paris.

Her work ethic is guided by a commitment to distilling ideas to their essential form, balancing intuition, refinement, and empathy to create outcomes that feel both imaginative and enduring.

Detail of books, a sculptural bronze hand, coral, and decorative objects arranged on a wooden surface.
A curated material vignette with books, a small plate of sculptural objects, a framed artwork, and a terracotta architectural form.
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My work moves across disciplines, from spaces and objects to surfaces, visual identity, illustration, and curation. Rather than following a singular discipline, I am interested in translating ideas into thoughtful and tactile outcomes that feel intentional and enduring. Whether developing a space, an object, a pattern, or a visual identity, the process remains rooted in curiosity, material sensitivity, and careful attention to detail.

I

Listen

Every project begins with attention.

Through conversation, research, and observation, I seek to understand not only the practical needs of a brief, but also the atmosphere, emotion, and intention behind it.

II

Explore

Each project begins by drawing, writing, and exploring ideas through hand and material.

Sketches, notes, textures, and references become a way of thinking through possibilities before refining a final direction.

III

Refine

From there, concepts are distilled and shaped into a clear visual direction.

Each project evolves through an ongoing process of editing, refinement, and thoughtful collaboration until the final outcome feels cohesive, tactile, and resolved.

Hands arranging large monochrome art prints on paper.
Hands holding coral and pink abstract color studies on paper.
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Practice

Spaces

Interiors, spatial concepts, atmosphere, material direction, furniture layouts, styling.

Objects

Bespoke furniture, lighting, finishes, product concepts, material explorations, collectible pieces.

Visual Identity

Creative direction, logos, typography, printed matter, visual systems, brand worlds.

Curation

Furniture sourcing, art sourcing, objects, vintage pieces, styling, layered environments.

Surface & Pattern

Textiles, wallpapers, print concepts, repeat patterns, material graphics.